Opening of the world and potential space

Abstract

In this paper we propose to develop three basic thesis: a) Show that Heidegger sees the world as a cutting semantic pragmatic frame, prior to fixing in any culturally coded phonetic material, b) To note that the phenomenon indicated by Winnicott the term transitionality can be equated to the world of Heidegger, and c) To the extent that potential space is the frontier as a mechanism that allows the passage from exterior to interior, can be understood as an intentional structure. Thus, the nature of mediation in the world is considered from the standpoint of an objective correlative, that is, from the tool and the work of art. Both types of "objects" are devices that are placed at the boundaries of sense and allow the transition from what is outside the semantic space.